While I like the punchy title, I'd suggest the often invisible role of preliminary work IS a part of being creative. In music it's "demos," in art it's "sketches," in writing it's "drafts," etc. I write in my book, Creative Doing:
> This stage is far too early to demand perfection; it’s best to keep expectations low, to refrain from self-criticism, and to support psychological safety (the feeling that it’s okay to make mistakes) to allow every single detail of the idea to flow out.
It's related to the original post's mention of scarcity, and how "the path to writing a great song really is through hundreds of mediocre songs." The most reliable way to good work is to allow it to emerge through a lot of preliminary work (e.g., lots of drafts, demos, and sketches).
I agree. It's all part of the creative process. I guess I framed it this way because I think it's what my younger self needed to hear because I definitely wouldn't have considered that part the creative work then.
I think there's something here that's a little different from just "refrain from criticism" that I needed to hear which is something like "you can spend a lot of time trying to find the perfect way to do something, or you just do it many different ways and see which you like better" and frankly, I spent so much time noodling, it might have been _less_ overall time if I'd just forced myself to record some very formulaic versions I was averse to, and seen if any of those inspired me to actually get the thing done.
I liked "Instead, it’s about creating one version of a project that will likely either be improved upon in the future or serve as inspiration for something else. The key is to cultivate the commitment and conviction to declare that something is done, for now." from your piece. I think that's what I'm trying to get at.
Am an aspiring composer. We often say we have no qualms about "stealing" from other composers. Yeah, if we see an idea or technique used in piece of music we like, we won't hesitate to try it out in our own pieces. Of course, we don't actually steal to the point of plagarism, but it's pretty common to do, and the ideas we take are often modified for your own needs or just taken in parts.
Yes! I find that whenever I try to steal something, I end up taking some of it's essence, but I end up modifying it so much that it's not really that thing any more anyway.
So I want to be less afraid to do that. Because at the end of the day, if I decide it's too stolen, I can always just not release it.
Started having way more fun (and making better music) when I released the "need" to make everything from scratch and just started dragging and dropping loops.
Now it's like I'm back in 2003 when my feature phone had a little music composer thing on it. You'd just slap together some presets.
It's the NPRificiation of everything. I had to stop listening to BBC Radio 4 because most documentary programmes have basically just become This American Life with British accents.
> This stage is far too early to demand perfection; it’s best to keep expectations low, to refrain from self-criticism, and to support psychological safety (the feeling that it’s okay to make mistakes) to allow every single detail of the idea to flow out.
It's related to the original post's mention of scarcity, and how "the path to writing a great song really is through hundreds of mediocre songs." The most reliable way to good work is to allow it to emerge through a lot of preliminary work (e.g., lots of drafts, demos, and sketches).
More on preliminary work here: https://www.holloway.com/g/creative-doing/sections/draft-dem...
I think there's something here that's a little different from just "refrain from criticism" that I needed to hear which is something like "you can spend a lot of time trying to find the perfect way to do something, or you just do it many different ways and see which you like better" and frankly, I spent so much time noodling, it might have been _less_ overall time if I'd just forced myself to record some very formulaic versions I was averse to, and seen if any of those inspired me to actually get the thing done.
I liked "Instead, it’s about creating one version of a project that will likely either be improved upon in the future or serve as inspiration for something else. The key is to cultivate the commitment and conviction to declare that something is done, for now." from your piece. I think that's what I'm trying to get at.
There are no creative chords. There are creative chord progressions.
https://note.com/apt_crow7500/n/n440c1a6cfb63?hl=en
So I want to be less afraid to do that. Because at the end of the day, if I decide it's too stolen, I can always just not release it.
Now it's like I'm back in 2003 when my feature phone had a little music composer thing on it. You'd just slap together some presets.
Life is good.
https://www.youtube.com/watch?v=YsufMtUOXtI
https://news.ycombinator.com/newsguidelines.html